Tweeting is a sport and Uniqlo are playing the game well

Uniqlo have launched another really interesting Tweet based gadget to promote their latest range of sports clothing. Sportweet rates you against all the other Twitter users according to some unknown algorithm and places you somewhere in the World Ranking. The result is fairly meaningless and yet I feel compelled to take part regardless. I'm not sure if this is because the technology intrigues me or that for some reason my Tweet World Ranking actually matters to me. I want to be a valuable part of a social media experience. Anyway...

Uniqlo seem to be on a role at the moment, producing some really engaging ways to use Twitter. For me the product shots on this latest effort are a little long but I still wanted to hang around for my results so they kept my attention.

I think they need to be a bit careful they don't end up overdoing it with Twitter or it could all just become a little too predictable. In the meantime though enjoy some of their fun and totally useless toys.

UTweet

Color Tweet
Sportweet

Tweetminster Predicts...

Someone asked me if I thought that the political opinions of twitter users would be a true reflection of the voting public. I mused for a while, thinking about the twitter demographic and decided that a twitter poll would probably show a similar skew to those run by news papers or TV channels.

It seems however that Twitter's election predictions proved pretty accurate.

Final Tweetminster prediction was:
Conservatives 35%

Labour 30%

Liberal Democrats 27%

Others 8%

The actual results were:
Conservatives 37%

Labour 30%

Liberal Democrats 24%

Others 10%

#leadersdebate

Last night's debate was fascinating but what made it truly amazing was the real time response by the voting public empowered by social media to air their views alongside the three candidates. According to @tweetminster #leadersdebate tweets totalled 184,396 with an average frequency of 29.06 tweets per second and with a total of 36,483 tweeters taking part.

I think some of the unrepresented parties missed a trick and I hope during the subsequent debates we will see them having their say online too (if they are permitted). It would be of great benefit to the Green Party, who according to Vote for Policies are gaining public favour, if @CarolineLucas was making comments on policies rather than “Indian veggie food” while the 3 main party leaders are sweating it out under public scrutiny.

Last night I thought the election would be won or lost not on the content of the debates themselves but on the way the parties were represented in the media as a result. This morning I think it will have more to do with the way we all report it, on our twitter feeds, blogs and Facebook pages. I will be watching the next debates with interest... and Twitter.

Top Notch Events

To produce a cost effective piece of promotional material to show the range of services and expertise offered by event organisers and venue dressers, Top Notch Events and to encourage traffic to their website.



It was important to the client to communicate the vast range of their services currently detailed on their website. It was therefore decided that this piece of communication should show a strong call to action for clients to go online or contact the company on the phone as well as communicating the services available.

Producing a 'wedding planner' allowed for a great detail of information to be communicated without listing the services available. It also included information not relating to the companies offerings, showing them to be the experts in their field and also making the material appear less like a sales brochure.

Top Notch Events spend a great deal of time making sure that they colour match the accessories they offer to the chosen colour scheme of their clients. The inclusion of a colour chart helps to demonstrate this as well as giving the clients ideas about colour schemes and helping the company to colour match items.
The company also provides chair covers tailored to different chair designs so a chair design chart demonstrates their attention to detail and also helps them to identify which chair cover will be needed for a specific venue.

The piece can therefore be used both as a hand out to prospective clients to demonstrate the services available and also by the company to gain information about colours and chair designs.

You might like to see the piece in full, click here»

D&AD Student Awards

A pat on the back is always nice and when it comes in the shape of a yellow pencil, well, that's just a bonus. With several thousand entries from all over the world it's hard not to be proud of achieving a nomination let alone a pencil.
It was a delight to meet Steve Garrick from The Co-operative who set the brief and who would say no to a champagne reception and an excuse to get dressed up? Certainly not me.

All in all not a bad end to my time back at university, a 1st class Hons and a D&AD Award, what more could I wish for... a job maybe?

Photos courtesy of D&AD: Noah Da Costa

TV Licensing

Planning and Strategy

Insight
There is currently a great deal of ill feeling towards the TV licensing collection system and their methods of communication. This has been observed in social media activity, included the launch of anti-TVL Facebook groups including "10 million for NO TV LICENCE" and campaign groups such as "The People's United Community" and "BBCresistance" as well as general media wide discussion.
The 'big brother' brand image and the 'pay or else' approach to collecting revenue is considered by many to be "heavy-handed", "intimidating" and "bullying".

The BBC have acknowledged this and began reviewing licence fee collection with a public consultation in September-November 2008. This will include an investigation into "the tone of the marketing and advertising about the TV licence" BBC Trust (2008) BBC Trust to review how the licence fee is collected the results of which were due for publication at the end of April 09, a few months after this body of work was completed.

Based on this activity a need was identified to improve perceptions of and create a more approachable feel to, the TV Licensing brand by studying their current CRM and creating a new strategy for their customer approach one which would encourage consumers to feel positive about paying their TV licence while still warning those who evade payment of the consequences of their actions.


Public Opinion
The following are comments from the Facebook Group "10 million for NO TV LICENCE"
Positive
"who wants to watch 5 minutes of adverts every 15mins? not me. i'd gladly pay to never see a shitty advert ever again"
"The BBC is awesome. If we didn't fund the BBC......television would become one giant advert. The BBC makes amazing programmes and I gladly pay the license fee and I'm a skint student."
"i love the bbc. i'll gladly pay a mere £140 a year for match of the day alone!"
"noticed on there it states it covers the use of a tv set, digital box, computer and/or mobile phone. is it good value then? I didn't realise it covered all these things"
Negative
"people all over the country are being bullied into paying for a service regardless of whether they use it or not"
"I dont even watch BBC why should I pay for it?"
"I am subscribed to sky and neva watch bbc unless on the rare occasion they put a good film on, i think they should scrap tv licence and switch to adverts like the other channels!"
"The only programmes I've watched in the last few years are the comedies 'The Mighty Boosh' and 'Black Books'."
"i have a tv but cannot afford to use it. thanks tv licencing."

"Paying for the BBC (like a Sky subscription) *IS* a choice... i.e. those (like me) would happily do without a Tell-lie-Vision and so perfectly legally not have to pay for a TV Licence." Webometric Thoughts

Mintel’s research shows that "only a fifth of respondents like to watch adverts, while six out of ten find the volume of adverts intrusive and seven out of ten will, more often than not, leave the room or do something else while the ads are on."


What does the licence fee pay for?
The BBC is paid for directly through each household TV licence. This allows it to run a wide range of popular public services for everyone, free of adverts and independent of advertisers, shareholders or political interests. BBC About the BBC - Licence Fee The BBC provides 9 interactive TV channels, 10 radio networks, more than 50 local TV and radio services, the BBC's website, and the on-demand TV and radio services, BBCi, BBC HD, BBC iPlayer with money from TV Licensing. BBC Trust Licence fee key facts
Many consumers do seem unaware of what their TV Licence pays for; "I didn't realise it covered all these things".
Although they may not like everything that's produced by the BBC some do note that they would not like to be without the programmes which they do enjoy. "I'll gladly pay a mere £140 a year for Match of the Day alone".
The breadth of content and services produced by the BBC means there is something for everyone to enjoy because everyone contributes they have a right to something they would like to watch.


Brand Identity - Logo and Design
TV Licensing is an established and understood organisation name for the collect of licensing fees.
It's logo was re-designed in April 08 after 17 years. The new logo designed to represent a power button was intended to encompass the expanding technology which is capable of receiving TV programmes and which would therefore need to be covered by a licence. The tick was intended to convey the positive connotations of being licensed. Farey-Jones, Daniel (2008) TV Licensing updates logo ahead of fresh campaign Brand Republic
Unfortunately the flat brand colours of the logo are still rather institutional, more reminiscent of tax documents and P45's rather than media company communications. The block capitals also appear to shout at the consumer rather than appearing friendly and inviting.
A reworking of the current logo into a more Web 2.0 design style would help to create a friendly more positive, media brand image.

From a visual perspective current communications including forms, leaflets and the brand website are also more indicative of a government tax collection than media bodies. While the Virgin and Sky approach may be a little too lifestyle and aspiration driven a more approachable visual mechanism would change consumer perceptions of the brand to a media lead rather than state governed body.
TVL are currently not permitted to use images of BBC programmes in their communications. This seems rather odd as the money collected pays for these same programmes. While working with this restriction for most communications it may be appropriate to show BBC images on the TVL website where video can be used and a direct link provided to the BBC website.


Brand Identity - Tone of Voice
The BBC trust currently aim for a "polite but firm" tone of voice in TVL communications. However, 'firm' seems to be misinterpreted by many consumers as "dire threats" and "people have accused the organisation of intimidating people with the tone of its marketing and advertising".
TVL rarely thanks the consumer for their payment which sends out the message that payment is expected rather than appreciated. While TV Licensing is not a subscription service like Virgin or Sky this sort of approach may improve feelings towards TVL. The consumer does have choice whether or not to watch TV and therefore whether or not they have to pay a TV Licence. Encouraging this feeling of choice will make TVL seem less like a tax and more like a subscription.
A more friendly approach to communications would allow the consumer to feel that they are being spoken to on a level ground. This is particularly important in DM communications, "Given the personal nature of mail as ‘my medium’, it’s important that the tone of communication is courteous and personal, like a private conversation between equals. Bad mail tends to pressure, bully or shout down at the consumer." An encouraging voice rather than a superior authoritarian tone would change consumer perceptions about the organisation.
Moving the tone of voice more in-line with the BBC, professional and yet personable would also help strengthen links between the two associations and not leave consumers feeling that TVL is the BBC bullying sibling.


Brand Identity - Association with the BBC
"Despite the complete absence of references to the BBC and its otherwise ubiquitous logo on any of its advertising or official material, the TV licensing authority is in no way independent of the BBC".
There is a great distance between TVL and the BBC. The lack of BBC imagery in TVL communications and the very different tone of voice all compound this feeling and while there are obviously not the same organisation they do work together along with the consumer to provide the great range of services on offer.
Perhaps the BBC do not want to be associated too closely with TVL. Allowing it's separate agenda and tone of voice to act independently and to do what it needs to do without impacting in a negative way on the BBC brand. However, the effect is only to confuse the consumer by removing the best reasons for paying their licence from the agenda and instead conveying messages of warning and prosecution.
A positive feeling towards TV licensing will reflect well on the BBC as a whole, at the same time positive feelings about the BBC could be used to improve feeling towards TVL.


Who are we talking to?
Anyone who watches TV programmes as they are broadcast and the general public.

Current communications largely target non-payers and evaders with very little communication to reassure payers.
The audience can be split into the following groups.

Payers – have always paid and continue to pay their licence, many by DD.
Possible considerations: CRM for payers would support positive feelings about paying the licence fee. Although the BBC services are the reward for paying communications direct from TVL would reinforce good feeling. Giving fee payers some extra bonuses like the ability to unlock an extra area of the BBC website perhaps or the ability to have a greater say about what goes on would make the consumer feel more involved. It would also create a dialogue between TVL and the consumer.
Possible media: could include renewal notices, thanks for payment, a redesign of forms and certificates to make the brand look more friendly and approachable, possible additional extras e.g. widgets, forums, ability to vote for awards etc, press to reassure positive feeling about TVL.

Non-payers - those who do not watch TV as it's broadcast.
Possible considerations: These consumers still need to contact TVL to declare that they do not have a TV. Currently they are often treated more like evaders and feel they must prove their innocence rather than TVL acknowledging that some people simple do not wish to watch TV. "TVL/BBC sends millions of letters every year to people who do not watch broadcast television, demanding payment. For many people, these letters can be very frightening."
Possible Media: DM to encourage non-payers to get in touch without accusing them of evasion would discourage ill feeling. Strengthening the evasion message if they do not get in contact with TVL.

Evaders – those who purposefully and continually evade paying despite watching TV as it is broadcast.
Possible considerations: Encouragement to pay by showing the benefits coupled with a warning message of the consequences regarding non-payment. Strengthening the evasion message if they do not get in contact with TVL over a period of time would mean that non-payers would not be treated as evaders.
Possible Media: press to reassure positive feeling about TVL, information on how to pay, DM specific to evaders.

New customers – these according to current campaigns appear to be students moving away from home with TV for which they have sole responsibility for the first time. Currently this campaign is less aggressive than other communications. This should be extended to cover anyone who has recently got or is thinking of getting a television of their own. New customers may also include those who have recently moved house.
Possible considerations: Encouragement about the benefits of paying, information on how to pay, gentle DM providing information and reassurance about TVL with subsequent DM showing an strengthened message regarding evasion if no correspondence is received.
Possible media: POS where TVs are purchased, new home cards, new TV cards.


Targeting Messages
"According to a spokesman at TVL 'some people will only buy a licence when told about the consequences of evasion"
TVL currently gathers information when a TV is purchased so the consumer can be contacted regarding a licence. This information could continue to be used providing personalised new TV specific DM to the purchaser.

Warnings regarding non-payment could be more appropriately directed to non-payers and evaders via DM.
TVL keeps a record of which houses aren't licensed. Houses which are recently unlicensed can be targeted with gentle reminders including information and reassurance about TVL and what it provides. This will hopefully encourage non-payers and new customers to come forward while longer term licence absence can be targeted with a stronger evasion message.

Equally targeted communications in the form of CRM and ECRM could be used to reward paying customers.

Press also has a role in reassuring and educating all consumers and should not just be used to issue warnings regarding evasion.


Conclusions
The TVL brand should be brought more in-line with the BBC brand which it works so closely with. Reinforcing the positive relationship between the consumer, TVL and the BBC. There should be more information about what the licence fee pays for both to reassure the consumer and to educate them.
Communications should be carefully targeted increasing relevance to the recipient. Messages should be staggered showing polite positive messages in the first instance which treat everyone equally with evasion messages increasing if the recipient does not contact TVL.
This campaign must work across media to improve perceptions of and create a more approachable feel to, the TV Licensing brand through tone of voice and design it must encourage consumers to feel positive about paying their TV licence.


Creative Brief
Why are we doing this?
To improve perceptions of and create a more approachable feel to, the TV Licensing brand through tone of voice and design. To encourage consumers to feel positive about paying their TV licence.

Who are we talking to?
Anyone who watches TV programmes as they are broadcast and the general public.

Payers – have always paid and continue to pay their licence, many by DD.
Non-payers - those who do not watch TV as it's broadcast.
Evaders – those who purposefully and continually evade paying despite watching TV as it is broadcast.
New customers – anyone who has recently got or is thinking of getting a television of their own.

What is the key insight?
There is currently a great deal of ill feeling towards the TV licensing system and their methods. This has included the launch of Facebook pages and campaign groups as well as general media wide discussion.
The 'big brother' brand image and the 'pay or else' approach to collecting revenue is considered by many to be little heavy handed. The BBC have acknowledged this and began reviewing the situation with a public consultation in September-November 2008, the results of this are due for publication at the end of April 09.

What is the one thing we want to say?
Paying your TV licence is the only way to get the high quality, uninterrupted entertainment you can enjoy in the UK

Why should I believe it?
The BBC is paid for directly through each household TV licence. This allows it to run a wide range of popular public services for everyone, free of adverts and independent of advertisers, shareholders or political interests.
The BBC provides 9 interactive TV channels, 10 radio networks, more than 50 local TV and radio services, the BBC's website, and the on-demand TV and radio service, BBC iPlayer.

What tone of voice?
This is the main area of this brief to create a new voice for TVL and develop their communications with this new tone of voice.
Generally this should be in-line with the BBC, professional and yet personable. Communication should be supportive and avoid reprimanding or lecturing.

Mandatories
TV Licensing is an established and understood organisation name for the collect of licensing fees. Although recently re-designed consideration may be give to changing the current logo to create a more positive and media brand image.
TVL are currently not permitted to use images of BBC programmes in their communications. While working with this restriction for most communications it may be appropriate to show BBC images on the TVL website where video can be used and a direct link provided to the BBC website.

What do we need to deliver?
CRM communications to deliver different messages to different target audiences based on a message which will work across integrated media.

payers - New look licence with DM pack, Widget providing an extra service
non-payers & evaders - CRM in the form of DM including a staggered approach to message delivery
new customers - DM
catch all brand messages - Website redesign, press ads

Possible brand approaches for consideration?
BT, British Gas, Royal Mail, Virgin and Sky.


Customer Journey

Communications are carefully targeted increasing relevance to the recipient. Messages are staggered showing polite positive messages in the first instance which treat everyone equally with evasion messages increasing if the recipient does not contact TVL.


Rationale
Logo and Design and Tone of Voice
The logo is still recognisable as the original but has been adapted to make it more approachable and reminiscent of a media brand. The font used for "TV" is the original logo font but in lower case. It is also spaced to reflect the way TV is written on the TV pages of the BBC website. The font for licensing is Helvetica Neue Condensed which was already used for TVL communications but again this is a softer lower case. This font is still used throughout the brand communications.
The colour in the logo reflects the green associated with a power on button and the shading creates a much softer modern feel to the logo bringing it closer to other media brands.

"Let's get it on"
The new strap line for the organisation encourages a feeling of working together, it's about getting on and getting the TV on. It also references the on button in the logo supporting this visual mechanism. It provides a good call to action encouraging the consumer to interact with the brand and work with it. It is not TV specific but can refer to the radio, internet etc. which is appropriate as TV programmes are increasingly available on other technologies.

The on button is followed through for the campaign using other TV buttons as a visual mechanism to illustrate TVL messages including services and content. Using this mechanism reinforces the on button in the logo and gives it explanation by continuing it through the rest of the communications. The DM also takes the form of buttons, the round shape is intriguing and according to the Royal Mail "consumers consistently said that they would always open any unusual shaped packages first, even before personal letters, and were clearly more engaged when mailings were creative beyond the form of a letter or leaflet." This would work equally well in online communications which could employ, stop, play and pause buttons for example.

The original logo was on a black background and this has been extended so the entire background of the communications is black. It is appropriate for the button visuals but also reflects the BBC TV website and iPlayer. It is not a direct reference but makes the brand feel more closely aligned with the BBC.

The new tone of voice is a much friendlier approach, chatty but informative with the content changing the strength of the messaging rather than a drastic change in tone to reprimand consumers.

Press
These ads are intended to educate and reassure everyone who watches TV. By promoting the breadth of services and content provided by TVL they show that there is something for everyone and just how much the consumer gets for their money.
The simple design has great stand out in cluttered TV guides which are read by TV viewers who both pay and evade the licence fee.

New TV Card
This DM is aimed at new customers using TVL's existing data collection to target people who have just purchased a new TV. This is a very personal communication which creates intrigue as the model of the new TV is referenced. The content of the communication is designed to introduce the consumer to TVL, to show the benefits of having a TV Licence through the services and content it provides and to educate them about how to get in touch with TVL and buy a licence. Removing the need for an envelope on the DM is one less barrier between the DM and the reader and encourages them to give it some of their time.

Click on the image to download a full .pdf version of the communication

What are you missing?
This DM is aimed at new customers who have not responded to the "New TV Card" and as a general communication to houses without a licence. It immediately engages the consumer by posing a question and by the feeling that there is something contained within the DM. What the reader is missing is not only a TV Licence but also all the TV programmes they can not watch as they are broadcast. they are missing the on button. The content of the communication is designed to introduce the consumer to TVL, to show the benefits of having a TV Licence through the services and content it provides and to educate them about how to get in touch with TVL and buy a licence.

Click on the image to download a full .pdf version of the communication

Why don't we get on?
This DM is aimed at non-payers and evaders who have not yet contacted TVL as a result of previous communications. It is designed to educate and advise the consumer both to the benefits of having licence but also contains a slightly stronger message referencing the consequences of not paying if you need to. It also contains more detailed information on when you need a licence based on some common misunderstandings and ill feelings, 'I already pay for sky', 'what do I get in return' etc.

Click on the image to download a full .pdf version of the communication

Warning letter
This DM is designed to target longer term evaders with a stronger message about the consequences of evasion. It is designed to inform them of the risks involved and the consequences and warn them that further action will be taken by TVL if they do not get in touch. The return to a standard envelope and letter format makes the message more official reflecting the seriousness of the message contained within it. This does not look like a government communication however as this should be reserved for court summons and prosecution details.

New Look Licence
This includes a licence card with the customers licence number which can also be used to unlock content on the TVL website. The TVL widget is also included in the pack.

Click on the image to download a full .pdf version of the communication

Widget
The TVL widget rewards licence payers and allows them to interact with the brand by having their say in the content they would like to see their licence fee spent on. This is designed to let the user feel that they have a say in what’s on the TV and allows TV Licensing and the BBC to gather information on licence owner opinions. Poll results allow licence payers to see what other people want to watch, this supports the ‘brightness’ message that the licence fee must provide something for everyone. BBC content is also suggested for each option.
The widget is also downloadable from the website.

Website
The new website design reflects the content currently available on the TVL website but with the addition of a forum. People are already talking about TVL on other forums and social media sites and TVL might as well own the conversation and take part in it by providing an area for discussion on their site. It will also allow them to publicly answer questions posed buy the consumer.
The site also provides un-lockable content for licence holders in the form of a monthly film on how money has been spent and also a like to unlock exclusive licence holder footage on the BBC website. This makes the licence holder feel like they are getting a little bit extra from their licence.
Information on TVL's relationship with the BBC is brought to the front of the site making it easier for people to find and also strengthens the connection between the organisations.

BBC Consultation
On the 31st March 2009 the BBC released it's findings of the public consultation in TV Licensing the following quotes from these documents support the findings of the planning and strategy for this campaign and suggest that the creative executions are in line with much need changes in the way TVL communicates.

"There is a role for advertising in reassuring licence fee payers as well as targeting evaders."

"Perhaps the strongest theme running through our audience research and our consultation responses was a public perception that the tone of the letters was too harsh and implied that people were deliberately evading when a licence had expired only recently or they had moved house."

"a balance should be struck between ensuring early reminders are polite, informative and non-accusatory, and strengthening the messages about evasion the longer a property remains unlicensed."

NHS - Social Media

Brief Outline
Promote sensible drinking to the over 40s to reduce alcohol related harm in later life. Stimulate thought and self analysis by encouraging the target audience to talk about any drink related issues.

Background Information
People of this age group can be highly defensive regarding their alcohol intake. Just speaking about it is tantamount to 'having a problem'. This is a barrier which needs to be overcome.
This can be encouraged by giving the audience somewhere to talk and using places where they are already talking to deliver information and encourage them to find out more about alcohol consumption and their health and well-being.

Project Aim
To come up with ideas for content, external feeds, apps and a design for a social media site, www.tippletattle.com designed to encourage people to talk about and ultimately question their drinking habits. This site will provide a platform for conversation, information and professional advice about alcohol consumption and the health and well-being issues surrounding it. Although the information and advice on the site will be provided by the NHS this is not an NHS website. Its aim is to encourage user generated content in an environment which does not preach about issues surrounding alcohol consumption. NHS branding will be kept to a minimum but will be used to give credibility to information and professional advice offered. The site is intended for UK users.

Who are the audience for the project and what are their motivations?
Men and Women, mainly C1-E, aged 35+ Home drinkers who don't know how much they drink or how much they should be drinking. Social drinkers who drink with and as much as their mates and who see this as a 'normal' amount. Those who are aware that they may be drinking more than they should but do not want to talk about it to their friends and family. Those who have identified that they are drinking too much and want to help other people in the same position. Family and friends of people who may be drinking too much.
Motivations: reassurance, support, someone to talk to, a need to share experiences, advice, facts, information
Social technographic groups:
Creators – publishes blogs, their own web pages, uploads video and music they have created, writes and posts articles and stories they have written.
Critics – posts ratings, reviews, comments on other people’s blogs, contributes to forums and wikis
Collectors – use RSS feeds, bookmarks sites or photos Joiners – maintains a profile on a social network, visits SN sites.
Spectators – read, listen, watch Inactives – does none of the above

What is the single most important thing to communicate?
It's OK to talk about alcohol.

What do we want users to do?
Explore the site, join in conversations, share experiences, encourage friends to join in, spread content through other social media platforms, become regular users, seek advice, take in information.

Creative deliverables
Logo design, look and feel for tippletattle.com Site design for key pages Content ideas - apps, links to other social media sites, information, advice, forums... Traffic driving ideas - Possible use of beer mats and press to help promote the site. A visual demonstration of user journeys for three people with different needs using the site.


The “tippletable” would move around the country visting bars and pubs providing great PR for the campaign, encourage people to talk while they are drinking and drive traffic to the website.

The table itself is made of a touch screen surface showing the image of a bar or pub table and beer mats.
When the user places a drink on the virtual beer mat speech bubbles appear which contain live comments from the tippletattle Twitter feed. These include comments @tippletattle and #tippletattle and fade in and out as new comments are posted. One speech bubble prompts the user to have their say and join in the conversation.
On pressing ‘click here’ a keyboard appears for the user to type their comment.
This comment appears on the table and in the tippletattle twitter feed. It can be followed online on tippletattle.com and through Twitter.

The interactive banner uses the tippletattle twitter feed to provide live comments from people talking about drinking. Placing this on sites where people are reading about alcohol in the news or buying alcohol would help them to engage more with the content. This should then encourage them to visit the site.

The tippletattle.com homepage
Without creating a profile the user can browse the forums and news posts as well as accessing advice and resources and searching for content which might affect them. They cannot, however, contribute to the site by commenting on posts or using the drink diary this can only be done by those who login.

The user is able to create an anonymous profile where they would have to submit their e-mail address, which would be kept private, and create a username which will be visible to others and used when they log in to the site. They would also be asked what their usual drink was and where they usually consume it, this would be used to skin their logged in pages appropriately. Additional questions could be used to provide the user with more relevant content for example if their location was recorded they could be targeted with events in their area.

The drinks diary is an established tool for helping people control their drinking habits. Creating a digital version allows for greater flexibility for example users can text their units to the diary if they are out drinking so they don't forget what they've had. Users can also ask an expert to view their diary to get advice on how to change their drinking habits.

Once logged in the user can contribute to the site and contact other uses through the on-site messaging service. They can also take part in online events such as live chats and personalise their homepage.
Heavy users of the site can become admin members who moderate the site by removing inappropriate content and report misuse to the site manager.


User Journeys




Why is social media right for this brief?
The brief highlighted the need to get people to question their drinking behaviour by encouraging them to talk about their alcohol consumption leading ultimately to them seeking further information and advice.

People already talk about alcohol in the news, online, among friends but the content of these conversations isn't always regulated and the advice they receive from their peers isn't always appropriate.

Tippletattle.com encourages people to talk by providing a safe environment for discussion. Professional advice is available on request which means the driving force of the site is not to preach about health issues; instead it becomes a gateway to more information.

The site also provides an anonymous platform for communication. Unlike the AA, people can access it whenever and wherever they like and may feel freer to speak their mind than they would in a face to face situation. It is also the case that the site is intended to target those who would not go to something like the AA as they do not perceive themselves as having a problem.

But is social media right for the target age group? Older users are increasing on social media sites. According to Neilson Netview [online] adults aged 35-49 account for 41.7% of twitter users. Other social media sites are seeing a similar trend, "the single biggest age demographic in the U.S. on Facebook is now between 35 and 44, and that Facebook’s fastest growing demo is 55-plus."

The Co-operative

Bring The Co-operative's brand identity and local and global messages to life through an integrated campaign executed in your local area.


This brief was set by D&AD as part of the Student Awards and received a yellow pencil.

Shop front.

Local area mail drop.

POS.

Instore fridge.

Delivery van promoting local and global message.

Local walk sponsored by The Co-operative travel.

School nature pond suitable for Keystage 2 learning promoting local and global message.

Playground ambient media promoting global message.

Dog waste bin with used bags from The Co-opertative Food store.

Reciept directing customers to www.weliveheretoo.co.uk

Promoting The Co-operative as a local neighbour would allow the brand to be truly integrated within local communities. Showing where the brand lives, learns and plays both in the local and global community will promote consumer interaction across media.

Integrating advertising within the local surroundings will mean less waste and damage to the environment whilst supporting the feeling that The Co-operative is very much part of the local community.

‘We live here’
The Co-operative is part of everywhere, it is everybody’s neighbour and ‘good for everyone’.

SPAM

Re-launch SPAM




Click on the image to read advertorial.

Click on the image to read advertorial.


SPAM is not a particularly trendy food. In fact, SPAM-eating seems to have developed a bit of a stigma. One woman confided in a whisper, “I really like SPAM, I have it every day for my lunch. My colleagues think I'm a bit weird, but I love it.” This campaign aims to play on this simple admission, promoting SPAM-eating as an underground movement. Creating fresh intrigue around a well established product to draw in a new audience.